Downloaded 23 June 2017 and published on 27 April. Charting the 30 years from Smalltown Boy and Relax hitting the charts and HIV hitting the population to the advent of gay marriage in the UK through the lens of popular culture, this book has a warmth brought by the interweaving of the author’s life into the narrative; as he’s an exact contemporary of mine, it was really interesting to read his story alongside the wider cultural sweep. As he says, he’s in an ideal position to tell “that strange transition that happens in a gay man of my age’s life, from feeling like an enemy of the state to being its friend”.
As a journalist, he’s been able to access all sorts of figures, from those behind the scenes or running events and hospitals to people like Kylie, Will Young and Lord Chris Smith, covering, among other things, gay icons, coming out in politics, the soap operas helmed by Tonies Holland and Warren and the rise of gay Manchester. At one point he asserts that there’s a gay man behind every cultural happening in Manchester; he finds this strand throughout popular culture as a whole, too. He also celebrates the variety of role models and visible gay people, charting Holly Johnson, Jimmy Somerville and later Brian Dowling as giving a sort of normality to gay lives in the media.
The book is not afraid to cover the darker, more difficult topics of HIV / AIDS and the work of the Terence Higgins Trust and the Lighthouse, or of homophobia in football, still going on now, and he tells both celebratory and harrowing stories, as he should do. This gives the book light and shade and makes it a serious resource, pulling together all these cultural threads.
A generally positive and forward-looking book that goes right to the source where it can – I would have liked to see a list of sources in the back, but maybe this is to come as these are effectively proof copies; I’m left assuming that all the interviews were his own, so perhaps they were. There’s also a slight habit of dropping in a name or concept, wandering away and leaving it hanging, then coming back to it, which because slightly jarring or confusing at times, but it was a pattern so became more comprehensible over the book.
Another good read from NetGalley, kindly provided by Ebury Publishing, Penguin Random House UK.
Sep 25, 2017 @ 15:48:00
Just put this on my wishlist.
There have been a number of exhibits on art/AIDS/NYC in the last few years and it made me think of how HIV has changed. I remember as a kid (I’m a few years younger than you, I think) hearing the stories of Ryan White and then Greg Louganis/Magic Johnson as a pre teen. HIV was a death sentence — and now it’s less if that makes sense. But there’s still the fear and persecution since it’s so tied into homophobia.
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Sep 25, 2017 @ 15:50:43
Yes, I think you are; I was a young teenager when the AIDS ads came in in the UK and terrified us all. I have worked on a few theses recently studying the new drugs which can effectively make somebody non-infectious, which is amazing. I think you’d enjoy this book; although it’s very UK-centric, I’d imagine you have the cultural references to enjoy it still.
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Sep 25, 2017 @ 16:09:16
and I love to see the similarities and differences across cultures. Similarly in age – I toured the AIDS in New York (http://travellingcari.com/2013/06/04/aids-in-new-york/) with a colleague who is about 20 years older and our takes were really different.
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Sep 25, 2017 @ 22:24:40
This sounds excellent, I remember well the scaremongering that went on in the 80s over the AIDS epidemic. I can can see how this book would be of interest to those of us who grew up during this period.
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Sep 25, 2017 @ 22:49:39
Interesting given the marriage equality debate happening here in Australia at the moment. A reminder why it is important (if we needed one)
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Oct 08, 2017 @ 11:39:06
Yes, indeed!
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