So sorry for the gap in reviews or posts since last Sunday’s short one about running. I’ve been reading quite a nice lot but seem to have got into a reviewing slump (though I did finally finish the amazing “A History of Pictures” by David Hockney and Martin Gayford and submitted my review to Shiny New Books), not the least because I’ve been extremely fortunate enough to be very busy at work (academia and the ghostwriting of celebrity autobiographies seem to be rolling on almost as normal), plus then we’ve had the usual in these times / not usually usual extra time-consuming life admin stuff, which is there to be endured and is fine at the moment, but does take up time. Plus the In These Circumstances kind of tiredness etc. that a good few of us seem to be getting.
Anyway, enough of In These Times, which I am entreating not to creep into my book reviewing and blogging life – here’s a journey back in time to almost the beginning of our beloved Virago Books with an excellent memoir I just had to pre-order to arrive on the day of publication, as it seemed so many of my fellow bloggers had read and received early review copies and whipped me up into a frenzy of needing this book right now!
Lennie Goodings – “A Bite of the Apple: A Life with Books, Writers and Virago”
(28 February 2020)
The memoir of the Canadian woman who moved from the mainstream world of publishing marketing to take a part-time job at the fairly new Virago Books and ended up its publisher, this book shared the political and financial dealings of the publishing house over the years (accepting this is a personal view only) but also delicious details of the authors and books the firm has published over the period.
I love how it was “84 Charing Cross Road,” that lovely book which I think so many of us have read, which helped to draw the author to Britain, and we get all the details of how things work and how her editorial process operates. I particularly liked the idea, pulled out as she worked with people writing their own lives, that everyone has a narrative thread running through their lives (what’s yours?). The details of the dealings around individual books are fascinating (for example, Virago was too small at the time to deal with all the interest and thus sales that would come from the 1979 TV series of Vera Brittain’s “Testament of Youth”, so had to license a mass-market tie-in edition to Fontana).
The personalities are captured bravely: Carmen Callil proves hard to work with from the start, always exacting about her own vision and uncompromising throughout. It IS brave, I think, to write about such people when they’re still around and about, and she does it carefully. Goodings is celebratory of the readers, which is lovely but also politic, given the audience for this book. She shares feedback from people who feel they’ve grown up alongside Virago (I feel that, too, with “Frost in May” being one of the first I read and gulping down loads of their early Modern Classics as a teenager in the 80s), and reminding us that Dorothy Whipple, who Carmen famously refused to republish, was eventually vindicated by Persephone (she is very generous about the other small (feminist and not so feminist) presses) and even mentioning the sad cessation and glorious return during the celebration reprints of the green spine.
The book is careful about intersectionality, sharing the gut-wrenchingly horrific experience of inadvertently sidelining authors of colour from an early event, bringing out the lack of diversity in women’s prize lists and discussing changes which are happening now in the publishing industry. It was good to see Goodings addressing this side of publishing and the care she put into that.
I found this an excellent and fascinating book all round, and one to treasure and re-read.
What’s the narrative thread running through your life? I feel like mine is being behind the scenes, helping organise things but keeping a low profile, helping books get talked about, helping my authors and clients’ words get on the published page while being invisible myself, hopefully being a stalwart support but also a loud and strong advocate for those less able to advocate for themselves, using my privilege for others where I can. Hm, maybe. Aaaaanyway. More reviews to come but I fear I will have review lag again as I have one more novel (my Paul Magrs – I haven’t forgotten my challenge!) and then two sets of three books left to write about this month!
Oh, and one book confession! Matthew has been listening to and loving “Where the Crawdads Sing” by Delia Owens. I’ve read enthusiastic and not-so-enthusiastic reviews of this but it’s certainly popular and I will give it a go … except the print is quite small and I need new glasses and, while I did get an eye test recently, my new glases have fallen foul of Circumstances and will be arriving direct from the factory and can’t be fitted professionally until Circumstances have eased. So I might not be able to read it for a while yet! At least I’ve got enough books off the TBR this month to justify adding one!
Mar 29, 2020 @ 08:00:51
I certainly have the in These Circumstances kind of tiredness, there’s a lot of it going around! So thank you for another (always) thoughtful review. I’ve never thought a lot about publishing houses, though I have always been attracted instinctively in second hand bookshops by spines I knew I could trust. Gollancz first, and Penguin, then the black & white stripes of The Women’s Press SF. Virago I came to late, initially for early Australian women, but you have persuaded me to make a start on the others I own, for which I thank you.
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Mar 30, 2020 @ 07:06:47
Yes, Penguin, Virago and Women’s Press for me, too (not just sci-fi but looking for the iron and the stripes!). I find it fascinating, even though the editing work I do is usually outside the traditional publishing houses. And I’m so glad I’ve helped you move towards reading some other Viragoes although the early Australia ones are obviously great anyway.
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Mar 29, 2020 @ 09:16:20
I read Kaggsy’s review of this – it sounds an interesting read. Good to get an insight into the early days of Virago. Although I believe it was swallowed up, like many other formerly independent publishers, by a larger group, it’s good to see there are still some doughty individuals still around, like Persephone. Meanwhile I too have found it hard to shake off a kind of stunned lethargy during the Circumstances.
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Mar 30, 2020 @ 07:07:40
Stunned lethargy sums it up well! Virago is still its own entity within a large publishing house and she goes into detail about how that worked when it happened and operates, which is really interesting.
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Mar 29, 2020 @ 11:00:11
Thanks for this post – I recognise the Circumstances issues! I have been tempted by A Bite of the Apple, maybe now I will treat myself after reading your review. I wasn’t aware of the Dorothy Whipple thing, despite my interest in all things Persephone. Fascinating!
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Mar 30, 2020 @ 07:09:41
Oh do get hold of a copy, you will love it! And yes, Carmen had a Whipple Line under which she would not go!
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Mar 29, 2020 @ 17:37:37
I feel you on the print. Remember the book about Avalon/Camelot that I didn’t buy at Stonehenge because the font was too damn small and regretted so ended up buying later? Still haven’t read it because yeah, the font is too damn small.
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Mar 30, 2020 @ 07:10:52
Ha, yes! Actually it turns out I might be OK – I opened the parcel while still in my running glasses, which have almost no reading section, and it’s better with my normal glasses!
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Mar 29, 2020 @ 17:56:32
It’s a good one, and I found it a wonderful time capsule of the past and also a distraction from Circumstances… I did like her honesty and felt that she was very even-handed about events and people. Her anecdotes were fascinating, and all the behind the scenes stuff over the years was a bit of an eye-opener.
As for small print – it should be banned. I really struggle with older books because of that and have often ended up picking up newer copies in an attempt to read a book.
Narrative of my life? Don’t know really – being nice and doing stuff for others a lot of the time, which isn’t desperately exciting and doesn’t get you far in the world but maybe makes you a better person. Plus books. And the fact that I think my appearance hides what I really think and feel!
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Mar 30, 2020 @ 07:12:00
I think you might well be more radically minded than you appear! Something I think I “suffer from” too! And I am so pleased I let myself order it to arrive on publication day so I could catch up with everyone who had read it already!
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Mar 30, 2020 @ 08:15:12
LOL, yes. I might look like a benign old bag, but appearances can be deceptive!! š¤£š¤£š¤£
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Mar 30, 2020 @ 08:16:18
Your description, not mine, I hasten to add! Well, I might say benign!
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Mar 29, 2020 @ 19:07:03
I just set up a virtual book club for our running group and thought of you of course! Hope you are doing ok!
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Mar 30, 2020 @ 07:12:37
Oh brilliant, are you reading running books or all sorts? I am in The Runners’ Bookshelf on Facebook which my friend Stacey set up which is great for running book discussions.
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Mar 30, 2020 @ 07:12:50
And indeed doing OK, thank you.
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Mar 29, 2020 @ 20:33:17
I’m entering a reviewing slump too, it’s hard to concentrate on things at the moment. A Bite of the Apple sounds fantastic, Virago books are so important to me, I love the whole story of how they got started.
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Mar 30, 2020 @ 07:13:25
I’m hoping for a better week this week. And I can’t wait to give you this for your birthday (do NOT clicky-click before then) even if I have to have Mr Amazon deliver it to you!
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Mar 30, 2020 @ 09:09:42
š OK, noted.
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