Another print book from my TBR Challenge 2021-22 and another of the books that Bookish Beck kindly sent me in December 2020. This one riffs off Mary Macarthy’s novel of the same name, which I reviewed in 2007 but didn’t really remember – looking at my small review from then, it did cover a lot of the same ground, updated for the #MeToo years and likely to be as representative of its times going forward as the original.
Lara Feigel – “The Group”
(24 December 2020, from Bookish Beck)
So here we are then. Five exact contemporaries who once shared a cluttered, thin-walled student house off the Cowley Road, all privileged, white, middle-class, all vestigial hangers-on, left over from an era when we received free educations at our elite university and then emerged into a world where we could still just about find jobs and buy flats, provided with opportunities for selfishness and leisure by our cleaners and our childminders. Nothing very eventful happens to us, but that gives more room for the ethnographer in me to get to work. (pp. 11-12)
The narrator, Stella, and Priss, Polly, Helena and Kay, met at university and amazingly all ended up in London, now around 40 and living busy middle-class lives (Polly started off working class but is now working as a doctor) revolving around what read to me as a married, childless 50-year old with what one might term a quiet life an exhausting existence of marital troubles, milky babies and affairs. The narrative voice is cool and emotionless, even when describing emotions, and did remind me of Doris Lessing’s narrator in “The Golden Notebook”, so it was interesting that Rebecca mentioned this in her review (see link below).
It was interesting, like a sort of soap opera, and covered lots and lots of contemporary issues – is it OK to have a revenge affair, has the time of White middle-aged, middle-class men come to an end, is it OK to have affairs at all, is it OK to have a baby if it ends a marriage, is it OK to be a woman and still be the primary caregiver, what do you need to be able to write if you’re a woman, and also a hefty dose of #MeToo, as the uncle of one character / boss of another is facing losing his job over allegations from a series of women. That’s a lot to pack into a book and Feigel does it pretty well.
The omniscient narrator / first-person viewpoint choice does get a bit messy – we’re both in Stella’s head and observing the inner lives of the other characters, all very well until Stella’s present and then it gets a bit clunky:
I arrive, wearing a blue dress bought in yesterday’s lunch hour from a shop I usually think of as too young for me. Kay notices it, thinking that the sleeves are too baggy for my shoulders and that I look too determinedly fashionable. She thinks that it would look better on Priss. (p. 223)
Because quoted direct speech lacks inverted commas, at first you think this is reporting Kay’s spoken reaction, then you realise it’s in her head; at the end of this scene, Stella leaves and Kay feels irritated, jumping around in people’s heads again. There is a lot to be gained from this choice of point of view but it does pull this reader, at any rate, out of the narrative at times. And then, later on, Kay herself sits down to write a novel at last, which feels very like this one!
I also got a bit confused as to whether parts should be funny or not. There wasn’t much that was relatable to me, but I did enjoy reading about these people’s chaotic lives, full of secrets and revelations and shifting opinions on each other, making me appreciate my relatively calm time of it. I did like the variety of experiences and the different types of families that were being made; there was also some welcome and unfussy ethnic diversity. And in the end, in a massive echo of the next book I’ll be reviewing on Monday …
We have so much power between us, if we can take ourselves seriously, with our grief and rage and love and desire.
And our laughter, Polly said, laughing. Don’t forget that.
Maybe that’s what we’ll do in our forties, i said. Learn to use our power. (p. 318)
You can read Rebecca’s review and comparison with the original novel here.
This was TBR Challenge 2021-22 Quarter 3 Book 5/41 – 36 to go.
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